Auguste-Hyacinthe DeBay – The Nation Is in Danger, or the Enrollment of Volunteers at the Place du Palais Royal in July 1792 Metropolitan Museum: part 2

Metropolitan Museum: part 2 – Auguste-Hyacinthe DeBay - The Nation Is in Danger, or the Enrollment of Volunteers at the Place du Palais Royal in July 1792

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Metropolitan Museum: part 2 - Gerard David - Saint John the Baptist; Saint Francis Receiving the Stigmata

Metropolitan Museum: part 2 - Paul Signac - Lighthouse at Groix

Metropolitan Museum: part 2 - Master of the Berswordt Altar - The Flagellation

Metropolitan Museum: part 2 - Attributed to Bernard van Orley - The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l’oeil with Painting of The Man of Sorrows

Metropolitan Museum: part 2 - Théodore Chassériau - Scene from the Gallic Wars: The Gaul Littavicus, Betraying the Roman Cause, Flees to Gergovie to Support Vercingétorix

Metropolitan Museum: part 2 - François-Joseph Heim - The Sack of Jerusalem by the Romans

Metropolitan Museum: part 2 - Auguste-Xavier Leprince - Man in Oriental Costume in the Artist’s Studio

Metropolitan Museum: part 2 - Pierre-Antoine-Auguste Vafflard - Edward Young (1683–1765) and His Step-Daughter Elizabeth Temple (d. 1736)

Metropolitan Museum: part 2 - Carlo Crivelli , active by 1457–died 1493 Ascoli Piceno) - Saint George

Metropolitan Museum: part 2 - Vincent van Gogh - The Potato Peeler (recto: Self-Portrait with a Straw Hat)

Metropolitan Museum: part 2 - Philippe de Champaigne - The Annunciation

Metropolitan Museum: part 2 - German Painter, 1440–50 - The Annunciation

Metropolitan Museum: part 2 - Annibale Carracci - Saint John the Baptist Bearing Witness

Metropolitan Museum: part 2 - Mattia Preti (Italian, Taverna 1613–1699 Valletta) - Saint John the Baptist Preaching

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AI

La imagen tiene algo de esto: gente, vestir, grupo, hombre, niño, dos, mujer, enfermedad, retrato, música, expresión facial, guerra, interacción, hijo, velo.
Tal vez sea un primer plano de un cuadro de una persona sujetando un palo con otras personas al fondo y.

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