GIOVANNI STEFANO DI, NAMED SASSETTA – Blessed Ranieri Razini Rescuing a Poor Man from Prison in Florence Louvre (Paris)

Louvre – GIOVANNI STEFANO DI, NAMED SASSETTA - Blessed Ranieri Razini Rescuing a Poor Man from Prison in Florence

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Louvre (Paris) - PROVENCAL SCHOOL - New Testament Trinity with the dead Christ, with St. Agricolus and donor, known as the Altar of Bulbona

Louvre (Paris) - CARTON ANGERRAND - The mourning with a donor, known as the Pieta of Villeneuve-les-Avignon

Louvre (Paris) - Sano di Pietro - Death of St. Jerome

Louvre (Paris) - Sano di Pietro - Repentance of St. Jerome

Louvre (Paris) - MASTER OF THE OBSERVANT TRIPTYCH - St. Anthony

Louvre (Paris) - PIETRO SANO DI - St. Jerome appears to Sulpice Severus and St. Augustine

Louvre (Paris) - PIETRO SANO DI - The dream of St. Jerome about his punishment by Christ

Louvre (Paris) - CHRISTUS PETRUS - Lamentation of Christ

Louvre (Paris) - GIOVANNI STEFANO DI, NAMED SASSETTA - Madonna and Child Enthroned, Surrounded by Six Angels, with Saints Anthony of Padua and John the Evangelist

Louvre (Paris) - MASTER OF IMAGES OF THE CHURCH OF ST. GUDULY - Sermon of St. Gerita overlooking the church of St. Guduls in Brussels

Louvre (Paris) - WEYDEN ROGIR VAN DER - Christ the Redeemer, the Mother of God and St. John the Evangelist, with Saints John the Baptist and Mary Magdalene on the side panels. Known as the Triptych of the Braque family. (fragment)

Louvre (Paris) - WEYDEN ROGIR VAN DER - Christ the Redeemer, the Mother of God and St. John the Evangelist, with Saints John the Baptist and Mary Magdalene on the side panels. Known as the Triptych of the Braque family

Louvre (Paris) - BOUTS DIRK - Virgin and Child

Louvre (Paris) - LAMBERTINI MICELE DI MATTEO - Emperor Heraclius carries the cross to Jerusalem

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La imagen tiene algo de esto: pared, vendimia, artístico, papel, vestir, antiguo, antiguo, retro, textura, abstracto, pergamino, marco, diseño, gente.
Tal vez sea un cuadro de un hombre cayendo de un edificio mientras un grupo de personas está de pie delante de él y otro hombre está al otro lado del edificio.

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