027 The seventh circle – Prophecy of Bunetti Latini Divina Commedia (1444-1450)

Divina Commedia – 027 The seventh circle - Prophecy of Bunetti Latini

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Divina Commedia - 016 Sixth Circle - The Walls of Dis. Furies. Dante and Virgil among heretics and false teachers

Divina Commedia - 018 Dante and Virgil walking between the walls and the tombs in the city of Dis, and Dante conversing with Farinata degli Uberti and Guido Cavalcanti, who are in their sarcophagus

Divina Commedia - 020 Dante and Virgil looking into the tomb of Pope Anastasius, and the three tiers of the violent, suicides, and other malefactors

Divina Commedia - 021 The seventh circle. Dante and Virgil encountering a centaur, and the centaur Nessus carrying Dante and Virgil on his back past the lake of boiling blood in which are submerged Attila and other tyrants

Divina Commedia - 023 The seventh circle - The wood of the suicide

Divina Commedia - 025 The seventh circle - The violent against God

Divina Commedia - 029 The seventh circle - Dante and Virgil being approached by three souls, Guidoguerra, Tegghiaio Aldobrandi, and Jacopo Rusticucci, and Virgil throwing Dante’s cord into a lake and drawing up the woman-headed monster Geryon

Divina Commedia - 030 Dante and Virgil are transferred to Herion in the eighth circle of hell

Divina Commedia - 032 Eighth Circle - Virgil and Dante entering the eighth circle, that of adulterers, seducers and Flatterers

Divina Commedia - 034 Eighth Circle - Dante and Virgil among simoniacs and magicians

Divina Commedia - 035 Eighth Circle - Punishment of the diviners

Divina Commedia - 037 Eighth Circle - Torments of the barterers

Divina Commedia - 039 Eighth Circle - Torments of the barterers

Divina Commedia - 042 Eighth Circle - Dante and Virgil encountering three couples of hypocrites

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A.I.²

La imagen tiene algo de esto: gente, dios, hombre, mujer, santo, grupo, smo, libro, cultura, velo, religioso, creencia religiosa, símbolo.
Tal vez sea un cuadro de un grupo de hombres de pie uno al lado del otro delante.

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