Anne-Louis Girodet-Trioson – Madame Jacques-Louis-Étienne Reizet (née Colette-Désirée-Thérèse Godefroy, 1782–1850) Metropolitan Museum: part 4

Metropolitan Museum: part 4 – Anne-Louis Girodet-Trioson - Madame Jacques-Louis-Étienne Reizet (née Colette-Désirée-Thérèse Godefroy, 1782–1850)

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Metropolitan Museum: part 4 - Élisabeth Louise Vigée Le Brun - Madame Grand (Noël-Catherine Verlée, 1761–1835), Later Madame de Talleyrand-Périgord, Princesse de Bénévent

Metropolitan Museum: part 4 - Élisabeth Louise Vigée Le Brun - Alexandre Charles Emmanuel de Crussol-Florensac (1747–1815)

Metropolitan Museum: part 4 - Berthe Morisot - The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935)

Metropolitan Museum: part 4 - James Tissot - Tea

Metropolitan Museum: part 4 - Willem Claesz Heda - Still Life with Oysters, a Silver Tazza, and Glassware

Metropolitan Museum: part 4 - Thomas de Keyser 1596/97–1667 Amsterdam) - Portrait of a Woman with a Balance

Metropolitan Museum: part 4 - Francesco Granacci (Italian, Villamagna 1469–1543 Florence) - Madonna and Child

Metropolitan Museum: part 4 - Jean-Auguste-Dominique Ingres - The Virgin Adoring the Host

Metropolitan Museum: part 4 - Claude Monet - Jean Monet (1867–1913) on His Hobby Horse

Metropolitan Museum: part 4 - Théodore Chassériau - Comtesse de La Tour-Maubourg (née Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)

Metropolitan Museum: part 4 - Édouard Manet - Young Man in the Costume of a Majo

Metropolitan Museum: part 4 - Jean-Léon Gérôme - Bashi-Bazouk

Metropolitan Museum: part 4 - Orazio Borgianni - Head of an Old Woman

Metropolitan Museum: part 4 - Perino del Vaga (Italian, Florence 1501–1547 Rome) - The Holy Family with the Infant Saint John the Baptist

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La imagen tiene algo de esto: moda, mujer, retrato, modelo, vestir, niña, glamour, gente, joyería, vestir, sexy, ojo, retro, cabello, elegante, peinado, oscuro.
Tal vez sea una pintura de una mujer con un vestido negro con una estola de piel alrededor del cuello y.

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